
I'm halfway through my life, or maybe more, and I'm finally awake to the fact that it's in my hands alone. I've believed in other people, had faith, been patient, waiting for my moment -- enough, already. Who have I been kidding? Nora Eldridge has always been a good girl: a good daughter, colleague, friend, employee. She teaches at an elementary school in Cambridge, Massachusetts, where the children and the parents adore her; but her real passion is her art, which she makes alone, unseen. To be an artist is, she is sure, her real destiny. Then one day Reza Shahid appears in her classroom: eight years old, a perfect, beautiful boy. Reza's parents are on a year-long visit from Paris: Skandar, his father, has a fellowship at Harvard; Sirena, his mother, is a glamorous installation artist apparently on the brink of huge success. For that magical year, Nora is admitted into their charmed circle,...
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Bokens olika lager öppnar också hos läsaren nya tankar. Förvisso en bok om konstnärlig hängivenhet ochrädsla att ge sig hän. Men också om åldrandet och livsveken. Messud närmar sig också gränslandet där det konstnärliga skapandets villkor kommer i centrum. Kan man vara en "god" människa och en konstnär i samma person?