No Ordinary Days

Taylor, Maggie

| 2013

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"No Ordinary Days" surveys Maggie Taylor's work from 1998 until 2012. Taylor, trained as a photographer, largely abandoned the camera for another light-sensitive device, the flatbed scanner. She begins her process with a found object--often a nineteenth-century photograph--and using image manipulation software like Adobe Photoshop(R) she transforms the original image, layering and manipulating her palette of collected visual information in a meticulous process than pushes the limits of her medium. The result is a surrealistic, often painterly, montage distinguished by vibrant color and a rich symbolism. Taylor's striking combinations of history and imagination invite the viewer to engage in a process of both discovery and recollection. The genre is often described as altered or fabricated photography. Although Taylor's work is autobiographical--informed by childhood memories, anxieties, and...

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