Throughout his long and prolific career as one of France's leading modern dramatists, Jean Anouilh has been fascinated by the theme of the fragility of youthful idealism. Is it possible for the illusions of adolescence to accommodate the compromises and hard truths of middle age? Can love survive in an absolute form, as the young may be led to hope by some of the most venerable fables of European literature and of Greek mythology? Indeed can love survive in any form whatsoever? Modern French theatre in particular has been drawn to Greek myth as a vehicle for an examination of eternal human dilemmas. Anouilh joins Cocteau, Giraudoux and Sartre at the head of a large group of French dramatists who used Greek themes in this way from the 1920s onwards. The particular theme that Anouilh explores is the anarchy created by the conflict between ego and Eros. Eurydice and Medee, although somewhat...
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